娜塔莎波特曼

娜塔莉波特曼哈佛2015畢業演講

娜塔麗·波特曼是美國女演員，2011年獲得了奧斯卡最佳女主角獎，

今天店鋪給大家分享一篇娜塔麗·波特曼在哈佛大學2015畢業典禮上

的精彩演講，希望對大家有所幫助。

娜塔莉波特曼哈佛2015畢業演講

Hello,

Khurana,faculty,parents,andmostespeciallygraduatestudents.

iorClassCommittee.

It’sgenuinelyoneofthemostexcitingthingsI’veeverbeen

oadmitprimarilybecauIcan’tdenyitas

itwasleakedintheWikiLeaksreleaoftheSonyhackthatwhen

IwasinvitedIrepliedandIdirectlyquotemyownemail.“Wow,

itissonice!I’

ideas?”Thisinitialresponnowblesdlypublicwasfromthe

knowledgethatatmyclassdaywewereluckyenoughtohave

WillFerrelasclassdayspeakerandthatmanyofuswerehung-

over,eto

admitthattoday,even12yearsaftergraduationI’mstill

oremindmylftoday

you’feelmuchlikeIdidwhenI

uguyswere,

tomycontinuedshockandhorror,ike

asn’tsmartenoughto

beinthiscompany,andthateverytimeIopenedmymouth,I

wouldhavetoprovethatIwasn’rt

n’tbeveryfunny.I’mnotacomedian.

AndIdidn’’mheretotellyoutoday,

herefora

mesyourincuritiesandyourinexperience

mayleadyou,tootoembraceotherpeople’xpectations,

standards,canharnessthatinexperienceto

carveoutyourownpath,onethatisfreeoftheburdenof

knowinghowthingsaresuppodtobe,apaththatisdefined

erdayIwenttoan

ncrediblyfocud,

motherthatIam,Iskipped

20stepsandwasalreadyimagininghimasamajorleagueplayer

n

layingtotradeinhisticketsfor

zewasmuchmoreexcitingthan

rwantedtourgehimtotakejoyand

thechallengeofthegame,theimprovementuponpractice,the

satisfactionofdoingsomethingwell,andevenfeelingthe

accomplishmentwhenachievingthegame’of

theaspectswereshadedbythelittle10centplasticmenwith

-thatwas

ld’snature,weemanyofourowninnate

ge,wealth,fame,power.

You’llbeexpodtomanyofthe,,partof

whyIwasinvitedtocometospeaktoday,beyondmybeinga

proudalumna,isthatI’verecruitedsomeverycovetedtoysin

inganotsoplastic,notsocrappyoneandOscar.

SowebumpupagainstthecommontrollIthinkofthe

commencementaddresspeoplewhohaveachievedalottelling

youthatthefruitsoftheachievementarenotalwaystobe

inkthatcontradictioncanbereconciledandisin

ementiswonderfulwhenyouknowwhy

you’nyoudon’tknow,itcanbeterrible

oapublichighschoolonLongIsland,SyostHigh

,hell,Syost!ThegirlsIwenttoschoolwithhad

yspokewithanaccent.I

whohadmovedthereatage9fromConnecticutmimickedtofit

’mancientand

didn’treallypaythatmuchofattentiontothefactthatIwasan

ownmainlyatschoolforhavingabackpack

biggerthanIwasandalwayshavingwhite-outonmyhands,

becauIhatedeinganythingcrosdoutinmynotebooks.I

wasvotedformynioryearbook“mostlikelytobean

contestantonJeopardy”otto

HarvardjustafterthereleaofStarWars:Episode1,IknewI

wouldbestartingoverintermsofhowpeopleviewedme.I

fearedpeoplewouldhaveassumedI’dgotteninjustforbeing

famous,andthattheywouldthinkthatIwasnotworthyofthe

ouldnothavebeenfarfromthe

amehereIhadneverwrittena10-pagepaper

before.I’mnotevensureI’

alarmedandintimidatedbythecalmeyesoffellowstudentwho

cameherefromDaltonorExeterwhothoughtthatcomparedto

mpletely

overwhelmedandthoughtthatreading1,000pagesaweekwas

unimaginable,thatwritinga50-pagethesisisjustsomethingI

ideahowtodeclaremyintentions.I

couldn’tevenarticulatethemtomylf.I’vebeenactingsince

oughtactingwastoofrivolousandcertainlynot

romafamilyofacademicsandwasvery

rasttomyinabilityto

declaremylf,onmyfirstdayoforientationfreshmanyear,five

paratestudentsintroducedthemlvestomebysaying,I’m

ames,

fortherecord,wereBernieSanders,MarcoRubio,TedCruz,

BarackObama,eriousness,Ibelieved

earingandlf-confidencealone

emedproofoftheirprophecywhereIcouldn’tshakemylf-

showothers

bytheincurities,

IdecidedIwasgoingtofindsomethingtodoinHarvardthat

wasriousandmeaningfulthatwouldchangetheworldand

geof18,I’dalreadybeenacting

for7yearsandassumedIfindamoreriousandprofoundpath

hmanfallIdecidedtotakeneurobiologyand

advancedmodernHebrewliteraturebecauIwasriousand

intellectual.

Needlesstosay,,foryour

information,andtothisday,everySundayIburnasmalleffigy

wasfightingmy

waythroughAlephBetYodYshuainHebrewandthedifferent

mechanismsofneuro-respon,Isawfriendsaroundmewriting

papersonsailingandpopculturemagazines,andprofessors

zedthat

riousnessforriousness’ssakewasitsownkindoftrophy,

andadubiousone,apoIsoughttocountersomehalf-

asareasonthatI

wfrommypeersandmy

mentorsthatitwasnotonlyanacceptablereason,itwasthebest

ottomygraduation,sittingwhereyousittoday,

after4yearsoftryingtogetexcitedaboutsomethingel,I

admittedtomylfthatIcouldn’twaittogobackandmake

dtotellstories,toimaginethelivesofothers

oundorperhapsreclaimed

eaprizenoworatleayouwilltomorrow.

tidyour

reasonbehindit?MyHarvarddegreereprents,forme,the

curiosityandinventionthatwereencouragedhere,the

friendshipsI’vesustainedthewayProfessorGrahamtoldme

nottodescribethewaylighthitaflowerbutrathertheshadow

theflowercast,thewayProfessorScarrytalkedabouttheatreis

atransformativereligiousforcehowprofessorCoslinshowed

grantedthethingsdon’tnecessarilyhelpmeanswerthemost

commonquestionI’masked:Whatdesignerareyouwearing?

What’syourfitnessregime?Anymakeuptips?ButIhavenever

sincebeenembarrasdtomylfaswhatImightpreviously

arddegreeand

otherawardsareemblemsoftheexperienceswhichledmeto

dpaneledlecturehalls,thecolorfulfallleaves,the

hotvanillaToscaninis,readinggreatnovelsinoverstuffedlibrary

chairs,runningthroughdininghallsscreaming:Ooh!Ah!City

steps!Citysteps!Citysteps!Citysteps!It’asynowto

dsomeverydifficulttimeshere

mbinationofbeing19,dealingwithmyfirst

heartbreak,takingbirthcontrolpillsthathavesincebeentaken

offthemarketfortheirdepressivesideeffects,andspendingtoo

muchtimemissingdaylightduringwintermonthsledmeto

someprettydarkmoments,particularlyduringsophomoreyear.

TherewereveraloccasionswhereIstartedcryinginmeeting

withprofessorsoverwhelmedwithwhatIwassuppodtopull

offwhenIcouldbarelygetmylfoutofbedinthemorning.

.

Icouldfinishmywork,evenifittookeatinga

jumbopackofsourPatchKidstogetmethroughasingle10-

hatI’tto

eofyearsago,IwenttoTokyo

withmy

husbandandIatethemostremarkablesushirestaurant.I

don’teveneatfish.I’tellsyouhowgoodit

thjustvegetables,thissushiwasthestuffyou

andandI

marveledathowanyonecanmakericesosuperiortoallother

eredwhytheydidn’tmakeabiggerrestaurant

alfriendxplains

tousthatallthebestrestaurantsinTokyoarethatsmallanddo

onlyonetypeofdish:ethey

’snotabout

’sabouttakingpleasureintheperfectionandbeauty

oftheparticular.I’mstilllearningthatit’saboutgoodand

joyandworkethicandvirtuositywe

bringtotheparticularcanimpartasingulartypeofenjoyment

tothowegivetoandofcour,

professionallife,italsotookmetimetofindmyownreasonsfor

,

appallingly,13yearsold

uponthefilm’sreleaandIcanstillquotewhattheNewYork

manposbetterthan

mhadauniversallytepidcriticresponandwent

lmwascalledTheProfessional,

ay,20yearsand35filmslater,itisstill

thefilmpeopleapproachmeaboutthemosttotellmehow

muchtheylovedit,howmuchitmovedthem,howit’stheir

favorite

uckythatmyfirstexperienceofreleasingafilm

wasinitiallysuchadisasterbyallstandardsandmeasures.I

learnedearlythatmymeaninghadtobefromtheexperienceof

makingthefilmandthepossibilityofconnectingwithindividuals

ratherthantheforemosttrophiesinmyindustry:financialand

otheinitialreactionscouldbefal

predictorsofyourwork’edchoosing

onlyjobsthatI’mpassionateaboutandfromwhichIknewI

oroughlyconfud

everyonearoundme:agents,producers,andaudiencesalike.I

madeGotya’sGhost,aforeignindependentfilmandstudied

arthistoryvisitingtheproduceeverydayfor4monthsasIread

forVendetta,

studioactionmovieforwhichIlearnedeverythingIcouldabout

freedomfighterswhomotherwimaybecalledterroristsfrom

our

Highness,apotheadcomedywithDannyMcBrideandlaughed

letoownymeaningandnothave

imeIgot

tomakingBlackSwan,

immunetotheworstthingsanyonecouldsayorwriteaboutme,

wasinstructiveformetoeforballetdancersonceyour

techniquegetstoacertainlevel,theonlythingthatparates

ballerinawasfamousforhowsheturnedslightlyoffbalanced.

Youcanneverbethebest,llalwayshavea

ythingyoucanbe

ingyourown

experiencewasverymuchwhatBlackSwanitlfwasabout.I

workedwithDarrenAronofskythedirectorwhochangemylast

emycharacterNinais

onlyartisticallysuccessfulwhenshefindsperfectionand

pleasureforherlfnotwhenshewastryingtobeperfectinthe

BlackSwanwassuccessfulfinanciallyand

IbeganreceivingaccoladesIfelthonoredandgratefultohave

truecoreofmymeaningIhad

ededittobeindependentofpeople

toldmethatBlackSwanwasanartistic

challengetotrytoportrayaprofessionalballet

idn’tfeellikecourageordaringthatdrivemedo

oblivioustomyownlimitsthatIdidthingsIwas

heveryinexperiencethatin

collegehadmademeincuremademewanttoplaybyothers’

’tevenrealize

rrenaskedmeifIcoulddoballetItoldhimI

wasbasicallyaballerinawhichbythewayIwholeheartedly

quicklybecameclearthatpreparingforthefilm

mework

amilliontimesharderandofcour

themagicofcinemaandbodydoubleshelpedthefinaleffect.

Butthepointis,ifIhadknownmyownlimitationsIneverwould

riskledtooneofmygreatestartistic

tInotonlyfeltcompletelyfree,I

rly,Ijustdirected

iteblindtothe

misaperiodfilm,completelyin

HebrewinwhichIalsoactwithaneight-year-oldchildasacostar.

AllofthearechallengesIshouldhavebeenterrifiedof,asIwas

completelyunpreparedforthembutmycompleteignoranceto

myownlimitationslookedlikeconfidenceandgotmeintothe

director’ere,Ihadtofigureitallout,andmy

beliefthatIcouldhandlethethingscontrarytoallevidenceof

erhalfwas

eriencewasthedeepestandmost

arlyI’mnoturgingyouto

toandperformheartsurgerywithouttheknowledgetodoso.

Makingmoviesadmittedlyhaslessdrasticconquencesthan

mostprofessionsandallowsforalotofeffectsthatmakeupfor

ngI’msayingis,makeuofthefactthatyou

don’tolder,we

getmorerealistic,andthatincludesaboutourownabilitiesor

always

talkaboutdivingintothingsyou’verworked

’mafraid,uld

otectsusin

srvedmeisdivingintomyown

oreconfidentthanIshouldbewhich

everyonetendstodecryAmericankidsandthoofuswhohave

,itcanbeagoodthing

inexperienceisanast,andwillallowyoutothinkinoriginal

yourlackofknowledgeand

famousviolinistwhotoldmethat

hecan’tcompobecauheknowstoomanypiecessowhen

hestartsthinkingofthenoteanexistingpieceimmediately

artingoutoneofyourbiggeststrengthsis

compo

freelybecauyourmindisn’tclutteredwithtoomanypieces.

Andyoudon’

e

snodoubtaboutthat.

Eachtimeyoutouttodosomethingnewyourinexperience

canwitherleadyoudownapathwhereyouwillconformto

someoneel’svaluesoryoucanforgeyourownpath,even

thoughyoudon’trealizethat’swhatyou’

reasonsareyourown,yourpath,evenifit’sastrangeand

clumsypath,willbewhollyyours,andyouwillcontrolthe

theriskofsoundinglikeaMissAmericacontestant,themost

fulfillingthingsI’veexperiencedhave

trulybeenthehumaninteractions:spendingtimewith

womeninvillagebanksinMexicowithFINCAmicrofinance

organization,meetingyoungwomenwhowerethefirstandthe

onlyintheircommunitiestoattendcondaryschoolsinrural

KenyawithFreetheChildrengroupthatbuiltsustainableschools

indevelopingcountriestrackingwithgorillaconrvationistsin

’sacliche,becauit’strue,thathelpingothers

goutofyourown

concernsandcaringaboutsomeel’slifeforawhilereminds

tinthe

wayswe’regenerousornotwecanchangethecourof

someone’work,thesmallfeatofkindnesscrew

members,directors,fellowactorshaveshownmehavehadthe

our,firstandforemost,thecenter

ofmyworldisthelovethatIsharewithmyfamilyandfriends.I

wishforyouthatyourfriendswillbewithyouthroughitallas

myfriendsfromHarvardhavebeentogethersincewegraduated.

nurdeach

otherthroughheartachesanddancedateachothers’weddings.

We’veheldeachotheratfuneralsandrockedeachother’s

edtogetheronprojects,helpedeachother

getjobsandthrownpartiesforwhenwe’

nowourchildrenarecreatingacondgenerationoffriendship

danddisheveled

egoodpeoplearoundyou

anddon’t

gestastthisschooloffersyouisa

groupofpeersthatwillbothbeyourfamilyandyourschoolfor

beralwaysbeingpisdatthespringherein

ngusintorememberingasunnyyardfullof

8monthsofdarkfreezinglibrary

iketheschoolhasmanagedtoturnonthegood

weatherasalastmemoryweshouldkeepinmindthatwould

getfartherawayfrommy

yearshereIknowthatthepowerofthisschoolismuchdeeper

gedtheveryquestionthatIwas

askingtoquoteoneofmyfavoritethinkersAbrahamJoshua

Heschel:Tobeornottobeisnotthequestion,thevitalquestion

’twaittoe

howyoudoallthebeautifulthingsyouwilldo.