非遺背景下游身連環(huán)八卦掌發(fā)展探究-武術(shù)論文-體育論文

2024年3月6日發(fā)(作者：0是有理數(shù))

非遺背景下游身連環(huán)八卦掌發(fā)展探究-武術(shù)論文-體育論文

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摘 要

文化是人類在社會歷史發(fā)展過程中所創(chuàng)造的物質(zhì)財富與精神財富的總和。文化遺產(chǎn)分為兩種：物質(zhì)文化遺產(chǎn)和非物質(zhì)文化遺產(chǎn)。本文主要研究的是非物質(zhì)文化遺產(chǎn)。中華民族傳統(tǒng)體育是我國非物質(zhì)文化遺產(chǎn)的重要組成部分，它以漢族文化為主要形式，融合其它各種民族文化，逐漸形成了一系列的休閑、 、養(yǎng)生、娛樂為主的多元化文化形式。武術(shù)是我國民族傳統(tǒng)體育的重要組成部分，同時也是中華民族傳統(tǒng)文化的典型代表。在世界范圍內(nèi)有很大的影響力。傳統(tǒng)武術(shù)以口傳身授為主要傳承方式，以提高道德修養(yǎng)和技擊能力為主體價值，注重體用兼?zhèn)涞闹腥A民族傳統(tǒng)體育活動。具體表現(xiàn)內(nèi)容多以套路、對練、功法以及實戰(zhàn)。

河北省滄州市地處中原，是馳名中外的武術(shù)發(fā)祥地，武術(shù)已經(jīng)成

了滄州的特色，在全國武術(shù)中占有重要的位置。2006 年 5 月 20 日，在 公布的我國第一批國家級非物質(zhì)文化遺產(chǎn)名錄中，滄州武術(shù)、雜技、蹴鞠等多項民族傳統(tǒng)體育項目被收錄其中，明確表明武術(shù)屬于非物質(zhì)文化遺產(chǎn)。滄州武術(shù)的代表性拳種有八大門派：包括八極、燕青、劈掛、查滑、功力、六合、太祖、八卦掌，其風(fēng)格獨特、自成體系、獨樹一幟。游身連環(huán)八卦掌是滄州傳統(tǒng)武術(shù)當(dāng)中較為獨特的流派，在該地多個縣市區(qū)域都有武術(shù)愛好者習(xí)練與傳播，2008 年 公布八卦掌成為第二批國家級非物質(zhì)文化遺產(chǎn)。在列入非物質(zhì)文化遺產(chǎn)名錄后，游身連環(huán)八卦掌在傳承與發(fā)展過程中仍存在一些問題，在一定程度上影響了它的發(fā)展。

本課題運用文獻(xiàn)資料法、調(diào)查法、數(shù)理統(tǒng)計法、邏輯分析法等研究方法，以游身連環(huán)八卦掌為切入點，在非物質(zhì)文化遺產(chǎn)的角度，分析了非物質(zhì)文化遺產(chǎn)與滄州傳統(tǒng)武術(shù)之間的關(guān)系。主要從問卷調(diào)查的結(jié)果分析滄州不同群體對游身連環(huán)八卦掌的認(rèn)識情況，了解到游身連環(huán)八卦掌在傳承與發(fā)展過程中遇到的障礙包括：傳承方式簡單、缺乏政府有計劃的指導(dǎo)、宣傳與推廣力度不夠等因素，以掌握游身連環(huán)八卦掌的發(fā)展現(xiàn)狀。同時對滄州傳統(tǒng)武術(shù)以后的發(fā)展起到指導(dǎo)意義，以及對其他地區(qū)傳統(tǒng)武術(shù)的傳承與發(fā)展也具有一定的借鑒意義。

研究結(jié)論：

1. 列入非物質(zhì)文化遺產(chǎn)名錄中的游身連環(huán)八卦掌練習(xí)者在年齡、活動場所、受外來武術(shù)文化因素等方面呈現(xiàn)發(fā)展的不平衡。

2. 師資力量不足、傳承方式簡單、缺乏政府部門的支持、網(wǎng)絡(luò)媒體的宣傳推廣力度不夠等是影響游身連環(huán)八卦掌傳承與發(fā)展的重要因素。

3. 在傳統(tǒng)武術(shù)進(jìn)校園活動中，對游身連環(huán)八卦掌的教學(xué)與推廣起到了一定的促進(jìn)作用，同時也推動了滄州傳統(tǒng)武術(shù)在校園中的普及與開展。

4. 列入非物質(zhì)文化遺產(chǎn)名錄后，游身連環(huán)八卦掌的傳承方式由家族傳承與師徒傳承向?qū)W校傳承過渡，并重現(xiàn)希望。

5. 列入非物質(zhì)文化遺產(chǎn)名錄中的游身連環(huán)八卦掌在傳承活動的開展、傳承人保護(hù)措施上有待于加強(qiáng)和提高。同時對保護(hù)滄州傳統(tǒng)武術(shù)具有重要的意義。

關(guān)鍵詞：非物質(zhì)文化遺產(chǎn) 滄州傳統(tǒng)武術(shù) 游身連環(huán)八卦掌 傳承與發(fā)展

Abstract

Culture is in the proces s of social and hi storical development of

mankind has createdmaterial and spiritual wealth together. Cultural

heritage can be divide d into two ca tegories:

tangible cultural heritage and intangible cultural heritage. This pape

r studies the intangiblecultural heritage.

On Chine traditional sports is an important part of Chinas

intangible cultural heritage,which the Han culture as the main form,

integration of other cultures, and gradually formed aries of leisure,

fitness, health, entertainm ent-oriented forms of cultural pluralism.

Martialarts are an im portant part of traditional ethnic spor ts in China,

as well a s typicalreprentatives of the traditi onal culture of the

Chine nati on. Have great influence in theworld. With oral award as the

main mode of transmission of traditional martial arts to improvemorals

and defen capabilities as the main value, paying attention to both

Chine traditionalsports activities. Specific content to routines,

practices, methods and practical.

Cangzhou city, Hebei province, located in the Central Plains, is the

birthplace of famousmartial arts, martial arts have become a feature of

Cangzhou, occupies an important positionin the National Wushu. On

May 20, 2006, relead the first batch of S tate-level at the

StateDepartment, intangible cultural heritage, the Cangzhou martial arts,

acrobatics, Kickballand many other national and tradi tional sports to be

included among them, clearly indicatethat Wushu belongs to the in

tangible cultural heritage. Reprentation of the Cangzhoumartial arts

boxing eight m asters: including the octupole, yanqi ng, hangs, check slip,

ability,Chine descent, baguazhang, uniqu e, lf-contained, unique in it

s style. You Shen rial isunique among traditional Baguazhang is Cang

zhou martial arts genre, multiple cities andcounties in the region there is

m artial arts enthusiasts practicing and spreading, baguazhangrelead

in 2008, becoming the cond batch of national intangible cultural

heritage. After theinclusion in the list of intangible cultural heritage, visit

body rial Baguazhang in heritageand there are still some problems in

the development of, and to som e extent, influenced thedevelopment of

it.

This topic using literature review, surveys, statistics and logic

analysis, rearch methods,starting with You Shen rial baguazhang,

angles of non-material cultural heritage, intangiblecultural heritage are

analyzed and the relationship between traditional Cangzhou martial arts.

Mainly from the analysis of the results of the questionnaire on

different groups in Cangzhouawareness You Shen rial baguazhang,

learned to swim in a chain Bagua in inheritance anddevelopment

obstacles encountered include: simple inheritance, lack of Government

planningguidance, publicity and prom otion was not eno ugh and other

factors in order to grasp Y ouShen rial developm ent status of Ba

guazhang. While the Cangzhou later to guidedevelopment of traditional

Wushu, as well as to other areas of traditio nal Wushu inheritanceand

development also has a certain significance.

Conclusions:

inclusion of non-m aterial cultural heritage tour body ries

Baguazhangpractitioners in age, recreational area, ex ternal factors of

Wushu culture developm entimbalances.

2. lack of qualified teachers, si mple inheritance, lack of

Government support, lack ofInternet media promotion is the swimming

body ries, such as Baguazhang inheritance anddevelopment of the

important factors. 3. in the traditional martial arts in campus

activities,You Shen s erial Baguazhangs teaching and pr omotion plays a

certain role in promoting,traditional as well as driving the Cangzhou m

artial arts popularity on campus. 4. after theinclusion in the list of inta

ngible cultural heritage, visit body rial Baguazhangs way ofinheritance

from a family inheritance and mentoring tradition the transition to

school tradition,and to reproduced hope. 5. the inclusion of in tangible

cultural heritage tour body riesBaguazhang in heritage activities,

heritage protection measures need to be strengthened andimproved. At

the same tim e protecting tradi tional Cangzhou m artial arts is of

greatsignificance.

Key words: Non-material cultural Cangzhou traditional Wushu swim

the body of aries of Eight Diagrams inheritance and development

目 錄

摘 要

Abstract

引言

1 文獻(xiàn)綜述

1.1 非物質(zhì)文化遺產(chǎn)概念的界定與分類

1.2 非物質(zhì)文化遺產(chǎn)與民族傳統(tǒng)體育方面的研究綜述

1.3 滄州傳統(tǒng)武術(shù)傳承與發(fā)展方面的研究綜述

1.4 游身連環(huán)八卦掌方面的研究綜述

2 研究對象與研究方法

2.1 研究對象

2.2 研究方法

2.2.1 文獻(xiàn)資料法

2.2.2 調(diào)查法

2.2.3 數(shù)理統(tǒng)計法

2.2.4 邏輯分析法

3 研究結(jié)果與分析

3.1 非物質(zhì)文化遺產(chǎn)與滄州傳統(tǒng)武術(shù)

3.1.1 非物質(zhì)文化遺產(chǎn)

3.1.2 滄州傳統(tǒng)武術(shù)

3.1.3 非物質(zhì)文化遺產(chǎn)與滄州傳統(tǒng)武術(shù)的關(guān)系

3.2 非物質(zhì)文化遺產(chǎn)名錄中的游身連環(huán)八卦掌

3.2.1 游身連環(huán)八卦掌的起源與傳承

3.2.2 游身連環(huán)八卦掌的風(fēng)格特點

3.2.3 游身連環(huán)八卦掌的價值功能

3.3 列入非物質(zhì)文化遺產(chǎn)名錄后游身連環(huán)八卦掌的發(fā)展現(xiàn)狀與分析

3.3.1 列入非物質(zhì)文化遺產(chǎn)名錄后滄州地區(qū)游身連環(huán)八卦掌的普及程度

3.3.2 列入非物質(zhì)文化遺產(chǎn)名錄后游身連環(huán)八卦掌的傳承狀況

3.3.3 列入非物質(zhì)文化遺產(chǎn)名錄后政府對游身連環(huán)八卦掌的支持情況

3.3.4 列入非物質(zhì)文化遺產(chǎn)名錄后游身連環(huán)八卦掌在滄州市高校、中學(xué)以及武術(shù)學(xué)校的開展?fàn)顩r

3.3.5 列入非物質(zhì)文化遺產(chǎn)名錄后影響游身連環(huán)八卦掌發(fā)展的外在因素與自身發(fā)展因素

3.3.6 列入非物質(zhì)文化遺產(chǎn)名錄后對游身連環(huán)八卦掌今后發(fā)展的影響

3.4 非物質(zhì)文化遺產(chǎn)視角下游身連環(huán)八卦掌的保護(hù)策略與發(fā)展措施

3.4.1 完善保護(hù)傳統(tǒng)武術(shù)的立法活動，建立系統(tǒng)的保護(hù)機(jī)制

3.4.2 加強(qiáng)政府工作職能，提高游身連環(huán)八卦掌傳承與發(fā)展工作

效率

3.4.3 培養(yǎng)優(yōu)秀的傳承人，成立非物質(zhì)文化遺產(chǎn)傳承小組

3.4.4 繼承傳統(tǒng)轉(zhuǎn)變觀念

3.4.5 積極地借鑒國外相關(guān)方面的成功經(jīng)驗

結(jié)論與建議

參考文獻(xiàn)

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